In October 2011, in Tashkent in the Ministry on Affairs of culture and sports of the Republic of Uzbekistan held a meeting of the chief editor of the magazine «5АМАТ» Yulia Raw with Stanislav Fesko — the chief artist of the theater of Ekaterinburg Opera and ballet theatre, honoured artist of Russia, laureate of the «Golden Mask» and (убернаторской prize, the repeated participant of exhibitions in Russia, Germany, France, USA. Stanislav Iosifovich was born in the forest village Вирков Bobruisk region, in Belarus. During the development of virgin land his parents moved to the southern Kazakhstan, in the city of Shymkent. He studied in the city of Tashkent — graduated from the Republican art the school, in the same place — in Tashkent began to work in the Theater of Opera and ballet. Alisher Navoi. During the 24 years work has gone a difficult way from mounter scenery to the artist-producer. «Work and study at the same time is an extremely useful experience, » recalls Stanislav Фесько. «Without him I would never have achieved the clarity with which I now have on stage all that thought of as a theater artist. In addition, the invaluable experience, which I purchased, communicating with such masters theatrical art, as the City. Brim, T. Masljukov W. Шарахимов, In. Акудин and others. In 1995. Stanislav Iosifovich was invited to work in the city of Yekaterinburg. And now, after many years of absence, he once again in the city, which became a long time favorite and dear ones.

— Stanislav Iosifovich, You have not been in Tashkent. Tell me, how You changed for these years, the city? Is there not nostalgia, how many, for the former Tashkent? — Tashkent, of course, very different and it’s wonderful, as it is a capital city, a large metropolis, and outside the window The XXI century. Modern, nice, business — he is unique. Nostalgia is more for younger years spent here, on the friends and companions, with whom I have a great pleasure met. After all, the emotional side — an important aspect of our life. Of course, I would like to walk on the the old streets of Tashkent. But what do the Time prevails. — You held the artist. All your life You dedicated to the theatre, with Your participation more than 20 performances in various cities of Russia, the majority of have been in Yekaterinburg. It’s «Romeo and Juliette» With. Prokofiev, «Ball-masquerade», «Rigoletto» and «Traviata» J.. Verdi’s «Don Quixote» L. By Minkus, «Love drink» Str. Donizetti, «the Tsar’s bride» by N. Roman th-Korsakov, «Prince Igor» A. Borodin, «Eugene Onegin» and «Mazepa» By P.. Tchaikovsky, «the Magic lamp of Aladdin» And. Спадавеккиа, «Madame Butterfly» J.. Puccini, «Morozko» M. Красева, etc. Your creative way is not limited to theatrical sketches productions. Dozens of paintings, written by You, are in private collections in Russia and other countries of the world. All whether You carry out the conceived?

— Everything is perfect does not happen. There are a lot of ideas, which still to be implemented, many of the ideas, projects, creative the plans. In addition to the theatre, I have a great pleasure take part in various international, in including Russian exhibitions, which are pushing the the boundaries of the world in which I live permanently. The world of theater. The main thing for the artist the opportunity to create. I have in the office of the Studio-theatre you can always see or only begun, or almost completed the canvas. And on the «line of duty», and on their own wish I travel a lot. Of course, these the trip did not receive the gift. There are new impressions, thoughts, images, which I would like to share with the audience. Thus, there are new canvases. — How do You feel about the different styles in the design of theatrical performances, in particular, to minimalist approach in the design stage? We have seen many sketches of scenery and fragments of performances, including in design of artists of Germany, where used completely empty stage with the involvement of any of the inte- socialist accents. «I can say that the musical theatre — this sight, it voices, where the music dictates and decides everything. There are works, which because of its lyrical and romantic fulfillment I can’t imagine in a minimalist design. This is the work of P. Tchaikovsky, A. Borodin, etc. Music the need «to see and hear. Then we get the image. The first the impression of the audience, when the curtain, » this is the impression from the works of the artist. I always with a sinking heart waiting for the first reaction of the audience. If there is General applause, it means » luck, the job was a success. Music dictates the style and techniques decoration of the play. Talk about how challenging idea decoration of the Opera Item. Tchaikovsky’s «Mazepa». Before starting to work on the production of, I have a lot of days listened to the music for the Opera. The decision did not come immediately. The plot is not simple, rather dramatic, wonderful music. Then one night me as something of themselves came the mind lines of the poem N. Tikhonov: «Nails could do from the these people, the stronger it hadn’t been in the world of nails». And the decision has come. All the artistic solution of the play was built on the use of different-sized and multiform the nails, which as if were the symbols of the human resistance: some were bent, some acted as the personification of human endurance, frankness and rigidity, adherence to principles. In addition, the decor was used embodying the power of a giant Mace, weave throughout the play and could smash all the obstacles on its way It’s a bit of both say, the creative laboratory of the artist of theater. — Stanislav Iosifovich, do You have any ideas about joint work with the theatre, in which You have passed young years, those with the State academic theatre of Opera and ballet. And Navoi in Tashkent? Us it seems, could be a very interesting joint project. «I will tell You honestly, I have not thought about this, but the idea is very interesting. And, if I ever get the chance, with a great pleasure will participate in such a project. Anticipating its opening day in Yekaterinburg, With. Фесько wrote: «All my life I have been working in musical theater, and the core of my work — just music. Work in the theatre and work do not believe in the theater to live Therefore it is not by chance that his sketches not just spectacularly attractive, they are literally filled with music. The drama and tragedy in one performance alternate with tenderness and lyricism, full of romantic and bright, light sadness in other. And all of this — the Theater!

Shamuhamedova Dinara